DARYA FILIPPENKO
VIOLA
VIOLA
Events
2024—2025
October 6 at 16:30
Concert Hall
Düsseldorf, Germany
Concert Hall
Düsseldorf, Germany
Dogma Сhamber orchestra
Program
W.A. Mozart, M. Weinberg, B. Bartok, M. Gurevich, F. Mendelssohn Bartholdy
W.A. Mozart, M. Weinberg, B. Bartok, M. Gurevich, F. Mendelssohn Bartholdy
September 29 at 20:00
St. John the Evangelist Church
Tiradentis, Brazil
St. John the Evangelist Church
Tiradentis, Brazil
«Artes Vertentes» Chamber Music Festival, September 19 - 29
Magic circle
Magic circle
Alejandro Aldana – violin
Jesus Reina – violin
Darya Filippenko – viola
Samuel Silva – cello
Jacob Katsnelson – piano
Gustavo Carvalho – piano
Jesus Reina – violin
Darya Filippenko – viola
Samuel Silva – cello
Jacob Katsnelson – piano
Gustavo Carvalho – piano
Program
Georges Enescu: Impressions d'enfance (Childhood Impressions)
Darius Miglio: The Creation of the World op. 81b
Manuel de Falla: Suite «El amor brujo»
Paul Dukas: The Sorcerer's Apprentice
Georges Enescu: Impressions d'enfance (Childhood Impressions)
Darius Miglio: The Creation of the World op. 81b
Manuel de Falla: Suite «El amor brujo»
Paul Dukas: The Sorcerer's Apprentice
September 28 at 20:30
St. John the Evangelist Church
Tiradentis, Brazil
Free entrance
St. John the Evangelist Church
Tiradentis, Brazil
Free entrance
«Artes Vertentes» Chamber Music Festival, September 19 - 29
After a dream
After a dream
Jesus Reina – violin
Alejandro Albana – violin
Darya Filippenko – viola
Samuel Silva – cello
Gustavo Carvalho – piano
Alejandro Albana – violin
Darya Filippenko – viola
Samuel Silva – cello
Gustavo Carvalho – piano
Program
Joseph Haydn: Quartet Hob. III/48 «A Dream»
Gabriel Fauré: After a dream
Astor Piazzolla: Oblivion
Dmitri Shostakovich: Sonata for viola and piano op. 147
Joseph Haydn: Quartet Hob. III/48 «A Dream»
Gabriel Fauré: After a dream
Astor Piazzolla: Oblivion
Dmitri Shostakovich: Sonata for viola and piano op. 147
September 27 at 18:00
St. John the Evangelist Church
Tiradentis, Brazil
St. John the Evangelist Church
Tiradentis, Brazil
«Artes Vertentes» Chamber Music Festival, September 19 - 29
Notes from the prison
Notes from the prison
Jesus Reina – violin
Darya Filippenko – viola
Samuel Silva – cello
Jacob Katsnelson – piano
Gustavo Carvalho – piano
Hercules Gomes – piano
Darya Filippenko – viola
Samuel Silva – cello
Jacob Katsnelson – piano
Gustavo Carvalho – piano
Hercules Gomes – piano
Program
Erik Satie: Gymnopedies
Johann Sebastian Bach: French Suite in B Minor BWV 814
Franz Schubert: Trio D. 897
Ludwig van Beethoven: Trio Op. 11 «Gassenhauer»
Chiquinha Gonzaga:
– Gaucho
– Wintem water
– Sparkling
– Cananea
Laercio de Freitas: In the Time of Chiquinha
Erik Satie: Gymnopedies
Johann Sebastian Bach: French Suite in B Minor BWV 814
Franz Schubert: Trio D. 897
Ludwig van Beethoven: Trio Op. 11 «Gassenhauer»
Chiquinha Gonzaga:
– Gaucho
– Wintem water
– Sparkling
– Cananea
Laercio de Freitas: In the Time of Chiquinha
September 24 at 19:30
St. John the Evangelist Church
Tiradentis, Brazil
St. John the Evangelist Church
Tiradentis, Brazil
«Artes Vertentes» Chamber Music Festival, September 19 - 29
A few centimeters off the ground – Hommage to Schumann
A few centimeters off the ground – Hommage to Schumann
Thorsten Johanns – clarinet
Darya Filippenko – viola
Guillaume Martigne – cello
Gustavo Carvalho – piano
Darya Filippenko – viola
Guillaume Martigne – cello
Gustavo Carvalho – piano
Robert Schumann:
– About Distant Lands and People (Scenes from Childhood op. 15)
– Bunte Blätter (Colored Leaves)
Clara Schumann: Romances op. 22
Robert Schumann: Adagio e Allegro op. 70
Gyorgy Kurtag: Hommage to Robert Schumann
Robert Schumann: Fairy Tales op. 132
– About Distant Lands and People (Scenes from Childhood op. 15)
– Bunte Blätter (Colored Leaves)
Clara Schumann: Romances op. 22
Robert Schumann: Adagio e Allegro op. 70
Gyorgy Kurtag: Hommage to Robert Schumann
Robert Schumann: Fairy Tales op. 132
September 22 at 17:30
Sant'Ana Square
Tiradentis, Brazil
Free entrance
Sant'Ana Square
Tiradentis, Brazil
Free entrance
«Artes Vertentes» Chamber Music Festival, September 19 - 29
At sunset
At sunset
Cassia Lima – flute
Thorsten Johanns – clarinet
Fabio Ogata – French horn
Adolfo Cabrerizo – bassoon
Ara Harutyunyan – violin
Sofia Leandro – violin
Darya Filippenko – viola
Guillaume Martinier – cello
Neto Belotto – double bass
Thorsten Johanns – clarinet
Fabio Ogata – French horn
Adolfo Cabrerizo – bassoon
Ara Harutyunyan – violin
Sofia Leandro – violin
Darya Filippenko – viola
Guillaume Martinier – cello
Neto Belotto – double bass
Program
Rebecca Clarke: Pastorale for clarinet and viola
Franz Schubert: Octet D. 803
Alfred Schnittke: Tango (from the film «Agony»)
Rebecca Clarke: Pastorale for clarinet and viola
Franz Schubert: Octet D. 803
Alfred Schnittke: Tango (from the film «Agony»)
September 22 at 12:00
St. John the Evangelist Church
Tiradentis, Brazil
St. John the Evangelist Church
Tiradentis, Brazil
«Artes Vertentes» Chamber Music Festival, September 19 - 29
Ludus tonalis («Play of tones»)
Ludus tonalis («Play of tones»)
Cassia Lima – flute
Fabio Ogata – French horn
Ara Harutyunyan – violin
Darya Filippenko – viola
Guillaume Martigne – cello
Ryutaro Suzuki – piano
Jacob Katsnelson – piano
Fabio Ogata – French horn
Ara Harutyunyan – violin
Darya Filippenko – viola
Guillaume Martigne – cello
Ryutaro Suzuki – piano
Jacob Katsnelson – piano
Johann Sebastian Bach: French Suite in G Major BWV 816
Paul Hindemith: Sonata for alto horn and piano (1943)
Play of Tones (fragments)
Ludwig van Beethoven: 12 Variations on «Ein Mädchen oder Weibchen»
Wolfgang Amadeus Mozart: Quartet in G minor K. 478
Alfred Schnittke: Tango (from the film «Agony»)
Paul Hindemith: Sonata for alto horn and piano (1943)
Play of Tones (fragments)
Ludwig van Beethoven: 12 Variations on «Ein Mädchen oder Weibchen»
Wolfgang Amadeus Mozart: Quartet in G minor K. 478
Alfred Schnittke: Tango (from the film «Agony»)
September 14, 18:00
Knights' Hall Wolfegg Castle
Ludwigsburg Castle Festival
Ludwigsburg, Germany
Knights' Hall Wolfegg Castle
Ludwigsburg Castle Festival
Ludwigsburg, Germany
Dogma chamber orchestra
Program
W.A. Mozart, R. Galliano, A. Piazzolla, A. Webern, M. Gurewitsch, B. Britten
W.A. Mozart, R. Galliano, A. Piazzolla, A. Webern, M. Gurewitsch, B. Britten
September 8, 19:00
State Theater
Detmold, Germany
State Theater
Detmold, Germany
20th anniversary of the chamber orchestra Dogma
Dogma chamber orchestra, gala concert
Program
W.A. Mozart, F. Mendelssohn Bartholdi, J.S. Bach / Florian Weber, E. Schulhoff, M. Gurevich
W.A. Mozart, F. Mendelssohn Bartholdi, J.S. Bach / Florian Weber, E. Schulhoff, M. Gurevich
September 4, 21:00
Teatro Comunale "Matilde di Canossa"
Ciano d'Enza, Italy
Free admission
Teatro Comunale "Matilde di Canossa"
Ciano d'Enza, Italy
Free admission
Festival Sesto Rocchi 2024
Gloria Santarelli – violin
Beatrice Ferrari – violin
Darya Filippenko – viola
Edoardo Cessari – viola
Enrico Zambon – cello
Beatrice Ferrari – violin
Darya Filippenko – viola
Edoardo Cessari – viola
Enrico Zambon – cello
Program
Giovanni Bietti talks about the quintet op. 111 by J. Brahms
Dedicated to Anna Pozzi
Giovanni Bietti talks about the quintet op. 111 by J. Brahms
Dedicated to Anna Pozzi
June 1, 21:00
Municipal Theater of Predappio
Predappio FC, Italy
Free admission
Municipal Theater of Predappio
Predappio FC, Italy
Free admission
The Music of the pre-Raphaelites
Grazia Raimondi – violin
Katia Mattioli – violin
Darya Filippenko – viola
Sebastiano Severi – cello
Stefano Bezziccheri – piano
Katia Mattioli – violin
Darya Filippenko – viola
Sebastiano Severi – cello
Stefano Bezziccheri – piano
Program
R. Schumann, Quintet for Piano and Strings in A minor, Op. 44
I. Brahms, Quintet for Piano and Strings in F minor, Op. 34
R. Schumann, Quintet for Piano and Strings in A minor, Op. 44
I. Brahms, Quintet for Piano and Strings in F minor, Op. 34
Darya Filippenko
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Darya Filippenko is one of her generation’s brightest and highly demanded violists. She is an incredibly skilled performer with a unique artistic vision and impeccable taste.
Darya has won numerous international awards and prizes. As a soloist and in chamber ensembles, she performed in the most prestigious concert halls, including the Philharmonie Berlin, the Concertgebouw Amsterdam, the Conservatory of Milan, the concert halls of the Moscow Philharmonic and the Moscow International House of Music, the State Chapel of St. Petersburg, and others. She frequently shares the stage with some of the best performers in the music world, such as Nikita Boriso-Glebsky, Gaik Kazazyan, Yury Bashmet, Danilo Rossi, Boris Andrianov, Kristina Blaumane, Guillaume Martigne, Boris Berezovsky, Polina Osetinskaya, Thorsten Johanns, Dmitriy Illarionov, and other outstanding musicians. Throughout the years, Darya has been closely collaborating with Yuri Bashmet, and this reflects in her sound and in her performance style.
Events of the 2024/25 season include her performance of Vladislav Zolotaryov’s premiere concert as part of the Pantonale Festival at the Philharmonie Berlin, her appearance in festivals such as “Artes Vertentes” in Brasil and Schleswig-Holstein Musikfestival in Germany, her collaboration with thebaroque ensemble Academia Bizantina Orchestra, and many others.
Darya has won numerous international awards and prizes. As a soloist and in chamber ensembles, she performed in the most prestigious concert halls, including the Philharmonie Berlin, the Concertgebouw Amsterdam, the Conservatory of Milan, the concert halls of the Moscow Philharmonic and the Moscow International House of Music, the State Chapel of St. Petersburg, and others. She frequently shares the stage with some of the best performers in the music world, such as Nikita Boriso-Glebsky, Gaik Kazazyan, Yury Bashmet, Danilo Rossi, Boris Andrianov, Kristina Blaumane, Guillaume Martigne, Boris Berezovsky, Polina Osetinskaya, Thorsten Johanns, Dmitriy Illarionov, and other outstanding musicians. Throughout the years, Darya has been closely collaborating with Yuri Bashmet, and this reflects in her sound and in her performance style.
Events of the 2024/25 season include her performance of Vladislav Zolotaryov’s premiere concert as part of the Pantonale Festival at the Philharmonie Berlin, her appearance in festivals such as “Artes Vertentes” in Brasil and Schleswig-Holstein Musikfestival in Germany, her collaboration with thebaroque ensemble Academia Bizantina Orchestra, and many others.
Darya Filippenko è una delle violiste più brillanti e acclamate della sua generazione. La contraddistinguono una lucida padronanza dello strumento unita a una visione artistica unica e ad un gusto impeccabile.
Darya ha ottenuto numerosi riconoscimenti e premi internazionali. Si è esibita come solista e in formazioni di musica da camera nelle più prestigiose sale da concerto, tra cui la Philharmonie di Berlino, il Concertgebouw di Amsterdam, il Conservatorio di Milano, la Sala Grande del Conservatorio di Mosca, la Zaryadye Concert Hall, le sale della Filarmonica di Mosca, la Moscow International House of Music e la Cappella Statale di San Pietroburgo. Collabora frequentemente con alcuni dei migliori musicisti della scena musicale odierna: Nikita Boriso-Glebsky, Gaik Kazazyan, Yury Bashmet, Danilo Rossi, Boris Andrianov, Kristina Blaumane, Guillaume Martigne, Boris Berezovsky, Polina Osetinskaya, Thorsten Johanns, Dmitriy Illarionov e altri musicisti eccezionali.
La stagione 2024/25 la vedrà impegnata in progetti che comprendono l’esecuzione del concerto di Vladislav Zolotaryov all’interno del Festival Pantonale alla Philharmonie di Berlino, la partecipazione ai festival “Artes Vertentes” in Brasile e allo Schleswig-Holstein Musikfestival in Germania, oltre alla collaborazione con l’ensemble barocco Accademia Bizantina e altri eventi.
Darya ha ottenuto numerosi riconoscimenti e premi internazionali. Si è esibita come solista e in formazioni di musica da camera nelle più prestigiose sale da concerto, tra cui la Philharmonie di Berlino, il Concertgebouw di Amsterdam, il Conservatorio di Milano, la Sala Grande del Conservatorio di Mosca, la Zaryadye Concert Hall, le sale della Filarmonica di Mosca, la Moscow International House of Music e la Cappella Statale di San Pietroburgo. Collabora frequentemente con alcuni dei migliori musicisti della scena musicale odierna: Nikita Boriso-Glebsky, Gaik Kazazyan, Yury Bashmet, Danilo Rossi, Boris Andrianov, Kristina Blaumane, Guillaume Martigne, Boris Berezovsky, Polina Osetinskaya, Thorsten Johanns, Dmitriy Illarionov e altri musicisti eccezionali.
La stagione 2024/25 la vedrà impegnata in progetti che comprendono l’esecuzione del concerto di Vladislav Zolotaryov all’interno del Festival Pantonale alla Philharmonie di Berlino, la partecipazione ai festival “Artes Vertentes” in Brasile e allo Schleswig-Holstein Musikfestival in Germania, oltre alla collaborazione con l’ensemble barocco Accademia Bizantina e altri eventi.
Одна из самых ярких и востребованных альтисток своего поколения. Ее отличают безупречный вкус, тонкое владение звуком в сочетании с артистизмом и разнообразным репертуаром.
Дарья ведет активную концертную деятельность, выступает на международных фестивалях и выпускает свои записи как на дисках, так и на крупнейших стриминговых платформах. Среди её партнеров по сцене - скрипачи Никита Борисоглебский, Гайк Казазян, Леонид Железный, виолончелисты Борис Андрианов и Владимир Бальшин, пианисты Борис Березовский, Кристиан Буду, Полина Осетинская, гитарист Дмитрий Илларионов и другие выдающиеся музыканты.
Артистка востребована на российской сцене: в её творческой биографии выступления в таких престижных залах, как Большой зал Московской консерватории, Московский концертный зал «Зарядье», концертные залы Московской филармонии и Московского международного Дома музыки, Государственная Капелла Санкт-Петербурга и другие.
Как солистка Дарья сотрудничала с Государственным симфоническим оркестром «Новая Россия», Московским государственным академическим симфоническим оркестром, Академическим симфоническим оркестром имени С. В . Рахманинова, Тюменским филармоническим оркестром, Гуйянским симфоническим оркестром (Китай), Государственным камерным оркестром Республики Беларусь, Музыкальной капеллой «Сонорус» (Беларусь).
Дарья ведет активную концертную деятельность, выступает на международных фестивалях и выпускает свои записи как на дисках, так и на крупнейших стриминговых платформах. Среди её партнеров по сцене - скрипачи Никита Борисоглебский, Гайк Казазян, Леонид Железный, виолончелисты Борис Андрианов и Владимир Бальшин, пианисты Борис Березовский, Кристиан Буду, Полина Осетинская, гитарист Дмитрий Илларионов и другие выдающиеся музыканты.
Артистка востребована на российской сцене: в её творческой биографии выступления в таких престижных залах, как Большой зал Московской консерватории, Московский концертный зал «Зарядье», концертные залы Московской филармонии и Московского международного Дома музыки, Государственная Капелла Санкт-Петербурга и другие.
Как солистка Дарья сотрудничала с Государственным симфоническим оркестром «Новая Россия», Московским государственным академическим симфоническим оркестром, Академическим симфоническим оркестром имени С. В . Рахманинова, Тюменским филармоническим оркестром, Гуйянским симфоническим оркестром (Китай), Государственным камерным оркестром Республики Беларусь, Музыкальной капеллой «Сонорус» (Беларусь).
Dárya Filippenko é uma das violistas mais brilhantes e requisitadas da sua geração. Ela é uma intérprete de habilidades raras, com uma visão artística única e gosto impecável.
Em 2006, Dárya foi laureada no XIII Concurso Internacional Johannes Brahms, na Áustria como integrante de um conjunto de câmara. Dois anos depois, em 2008, ganhou o primeiro prêmio do III Concurso Internacional de Grupos de Câmara em Chesapeake, EUA. A violista participou de festivais na Rússia, Bielorrússia, EUA, Alemanha, França, Itália, Suíça, Reino Unido e outros países antes mesmo de se formar no Conservatório Estatal de Moscou.
Darya recebeu a Bolsa Gaidamovich por “Realizações na Interpretação de Música de Câmara” da União Internacional de Músicos, bem como bolsa da Associação de Música de Câmara e o Prêmio Thomastik-Infeld da Academia Internacional de Verão na Áustria.
Em 2006, Dárya foi laureada no XIII Concurso Internacional Johannes Brahms, na Áustria como integrante de um conjunto de câmara. Dois anos depois, em 2008, ganhou o primeiro prêmio do III Concurso Internacional de Grupos de Câmara em Chesapeake, EUA. A violista participou de festivais na Rússia, Bielorrússia, EUA, Alemanha, França, Itália, Suíça, Reino Unido e outros países antes mesmo de se formar no Conservatório Estatal de Moscou.
Darya recebeu a Bolsa Gaidamovich por “Realizações na Interpretação de Música de Câmara” da União Internacional de Músicos, bem como bolsa da Associação de Música de Câmara e o Prêmio Thomastik-Infeld da Academia Internacional de Verão na Áustria.
Darya Filippenko’s professional life doesn’t only consist of a busy concert schedule and performances at international festivals. She successfully releases music both on CDs and major streaming platforms. The violist has an extensive solo concert repertoire, and her wide range of performing skills includes both a commitment to baroque and classical traditions and intensive collaborations with living composers coming from a great variety of musical backgrounds. She frequently collaborates with outstanding authors like Harry Crowl, George Stevenson, Alexander Tchaikovsky, Kuzma Bodrov, Pavel Karmanov, and others. In January 2022, one of the most established Russian record labels Melodiya released a collection of works by Alexander Tchaikovsky featuring Darya’s performance, and in 2023 a CD of music for viola by Brazilian composer Harry Crowl was released.
Born in Minsk, Belarus, Darya Filippenko attended the Moscow State Conservatory under the guidance of Professor Galina Odinets. She later pursued a post-graduate degree at the same institution, mentored by Alexander Bonduryansky. Darya diligently refined her artistry under the expert tutelage of Antonello Farulli in Imola, Italy, while also delving into the intricacies of baroque viola with the esteemed guidance of Enrico Gatti in Bologna.
Darya plays the viola made by master Maria Strelnikova, created in 2009. In her hands, the instrument reveals its velvety timbre, rich sound palette, and wide dynamic range.
Born in Minsk, Belarus, Darya Filippenko attended the Moscow State Conservatory under the guidance of Professor Galina Odinets. She later pursued a post-graduate degree at the same institution, mentored by Alexander Bonduryansky. Darya diligently refined her artistry under the expert tutelage of Antonello Farulli in Imola, Italy, while also delving into the intricacies of baroque viola with the esteemed guidance of Enrico Gatti in Bologna.
Darya plays the viola made by master Maria Strelnikova, created in 2009. In her hands, the instrument reveals its velvety timbre, rich sound palette, and wide dynamic range.
La vita professionale di Darya Filippenko non si ferma a un ricco programma di concerti e partecipazioni ai festival di tutto il mondo. La violista ha all’attivo varie pubblicazioni discografiche su CD e nelle principali piattaforme di streaming, oltre a un vasto repertorio solistico. Il suo ampio spettro di competenze esecutive include sia l’impegno verso la tradizione barocca e classica, sia le proficue collaborazioni con compositori viventi, provenienti da diversi contesti musicali.
Lavora spesso con autori come Harry Crowl, George Stevenson, Alexander Tchaikovsky, Kuzma Bodrov, Pavel Karmanov e altri. Nel gennaio 2022 Melodiya, una delle principali etichette discografiche russe, ha pubblicato una collezione di opere di Alexander Tchaikovsky interpretate da Darya, e nel 2023 è uscito un disco di musiche per viola del compositore brasiliano Harry Crowl.
Nata a Minsk, in Bielorussia, Darya Filippenko ha frequentato il Conservatorio Statale di Mosca sotto la guida della prof.ssa Galina Odinets. Nello stesso Conservatorio, seguita da Alexander Bonduryansky, ha ottenuto il diploma specialistico. Darya ha affinato le sue capacità a Imola sotto la guida esperta del maestro Antonello Farulli, mentre a Bologna ha potuto approfondire le complessità della viola barocca con il rinomato Enrico Gatti.
Darya suona una viola creata dalla liutaia Maria Strelnikova nel 2009. Nelle sue mani, lo strumento rivela un timbro vellutato, una ricca tavolozza sonora e un’ampia gamma dinamica.
Lavora spesso con autori come Harry Crowl, George Stevenson, Alexander Tchaikovsky, Kuzma Bodrov, Pavel Karmanov e altri. Nel gennaio 2022 Melodiya, una delle principali etichette discografiche russe, ha pubblicato una collezione di opere di Alexander Tchaikovsky interpretate da Darya, e nel 2023 è uscito un disco di musiche per viola del compositore brasiliano Harry Crowl.
Nata a Minsk, in Bielorussia, Darya Filippenko ha frequentato il Conservatorio Statale di Mosca sotto la guida della prof.ssa Galina Odinets. Nello stesso Conservatorio, seguita da Alexander Bonduryansky, ha ottenuto il diploma specialistico. Darya ha affinato le sue capacità a Imola sotto la guida esperta del maestro Antonello Farulli, mentre a Bologna ha potuto approfondire le complessità della viola barocca con il rinomato Enrico Gatti.
Darya suona una viola creata dalla liutaia Maria Strelnikova nel 2009. Nelle sue mani, lo strumento rivela un timbro vellutato, una ricca tavolozza sonora e un’ampia gamma dinamica.
Дарья родилась в Минске в 1983 году, где занималась у Н. Зайцевой и Л. Ластовки. В 2001 альтистка продолжила образование в Московской государственной консерватории имени П.И. Чайковского у профессоров Г. Одинец и А. Бондурянского. Уже во время обучения в консерватории Дарью Филиппенко регулярно приглашали к участию в различных фестивалях в России, Беларуси, Бразилии, США, Германии, Франции, Италии, Швейцарии, Великобритании и других странах.
Дарья была удостоена Гранта Т. А. Гайдамович «За достижения в области камерного исполнительства» Международного союза музыкальных деятелей, а также гранта Ассоциации Камерной музыки и «Thomastik-Infield-Prize» Международной Летней Академии (ISA) в Австрии.
В составе камерного ансамбля — лауреат II премии и обладательница приза зрительских симпатий XIII Международного Конкурса имени И . Брамса (Австрия, 2006), обладательница Гран-при III Международного конкурса камерных ансамблей в городе Chesapeake (США, 2008).
Альтистка обладает обширным концертным репертуаром от произведений эпохи барокко до сочинений композиторов XXI века. Её приглашают к сотрудничеству такие выдающиеся авторы, как Александр Чайковский, Кузьма Бодров, Павел Карманов, Гарри Кроул, Джордж Стивенсон и другие.
В январе 2022 года одна из самых признанных звукозаписывающих компаний — фирма «Мелодия» — выпустила в свет коллекцию произведений А. Чайковского с участием Дарьи.
Сейчас Дарья совершенствует мастерство под руководством Антонелло Фарулли в Имоле и изучает барочный альт в классе Энрико Гатти в Болонье.
Дарья играет на альте мастера Марии Стрельниковой, созданном в 2009 году. В её руках инструмент раскрывает свой бархатный тембр, богатую палитру красок и широкий динамический диапазон.
Дарья была удостоена Гранта Т. А. Гайдамович «За достижения в области камерного исполнительства» Международного союза музыкальных деятелей, а также гранта Ассоциации Камерной музыки и «Thomastik-Infield-Prize» Международной Летней Академии (ISA) в Австрии.
В составе камерного ансамбля — лауреат II премии и обладательница приза зрительских симпатий XIII Международного Конкурса имени И . Брамса (Австрия, 2006), обладательница Гран-при III Международного конкурса камерных ансамблей в городе Chesapeake (США, 2008).
Альтистка обладает обширным концертным репертуаром от произведений эпохи барокко до сочинений композиторов XXI века. Её приглашают к сотрудничеству такие выдающиеся авторы, как Александр Чайковский, Кузьма Бодров, Павел Карманов, Гарри Кроул, Джордж Стивенсон и другие.
В январе 2022 года одна из самых признанных звукозаписывающих компаний — фирма «Мелодия» — выпустила в свет коллекцию произведений А. Чайковского с участием Дарьи.
Сейчас Дарья совершенствует мастерство под руководством Антонелло Фарулли в Имоле и изучает барочный альт в классе Энрико Гатти в Болонье.
Дарья играет на альте мастера Марии Стрельниковой, созданном в 2009 году. В её руках инструмент раскрывает свой бархатный тембр, богатую палитру красок и широкий динамический диапазон.
Dárya atuou nas salas de concerto mais prestigiadas da Rússia, incluindo o Grande Salão do Conservatório de Moscou, a Sala de Concertos Zaryadye, as salas de concerto da Filarmônica de Moscou e da Casa Internacional de Música de Moscou, a Capela Estatal de São Petersburgo, entre outras. Ela frequentemente divide o palco com alguns dos melhores intérpretes do mundo da música – os violinistas Nikita Boriso-Glebsky, Gaik Kazazyan e Leonid Zhelezny; os violoncelistas Boris Andrianov e Vladimir Balshin; os pianistas Boris Berezovsky, Cristian Budu e Polina Osetinskaya; o violonista Dmitriy Illarionov e outros músicos de destaque.
A vida profissional de Dárya Filippenko não consiste apenas em agenda intensa de concertos e apresentações em festivais internacionais. Com êxito, tem lançado gravações em CDs e nas principais plataformas de streaming. A violista possui um extenso repertório solo de concerto que vai desde obras da época barroca até composições contemporâneas do século XXI. Ela colabora frequentemente com autores notáveis como Harry Crowl, George Stevenson, Alexander Tchaikovsky, Kuzma Bodrov, Pavel Karmanov e outros. Em janeiro de 2022, uma das mais consagradas gravadoras russas, Melodiya, lançou uma coleção de obras de Alexander Tchaikovsky com a atuação de Dárya.
Dárya toca uma viola construída em 2009 - pela mestra luthier Maria Strelnikova. Em suas mãos, o instrumento revela seu timbre aveludado, rica paleta sonora e ampla faixa dinâmica.
Nascida em Minsk, Bielorrússia, Dárya Filippenko frequentou o Conservatório Estatal de Moscou sob a orientação da Professora Galina Odinets. Mais tarde, ela fez pós-graduação na mesma instituição, orientada por Alexander Bonduryansky. Atualmente residindo na Itália, Dárya refina diligentemente o seu talento artístico sob a tutela especializada de Antonello Farulli em Imola, ao mesmo tempo em que se aprofunda nos meandros da viola barroca com a estimada orientação de Enrico Gatti em Bolonha. Este duplo compromisso com as tradições clássica e barroca contribui para o refinamento de suas capacidades artísticas, ao fomentar um amplo espectro de suas habilidades interpretativas.
A vida profissional de Dárya Filippenko não consiste apenas em agenda intensa de concertos e apresentações em festivais internacionais. Com êxito, tem lançado gravações em CDs e nas principais plataformas de streaming. A violista possui um extenso repertório solo de concerto que vai desde obras da época barroca até composições contemporâneas do século XXI. Ela colabora frequentemente com autores notáveis como Harry Crowl, George Stevenson, Alexander Tchaikovsky, Kuzma Bodrov, Pavel Karmanov e outros. Em janeiro de 2022, uma das mais consagradas gravadoras russas, Melodiya, lançou uma coleção de obras de Alexander Tchaikovsky com a atuação de Dárya.
Dárya toca uma viola construída em 2009 - pela mestra luthier Maria Strelnikova. Em suas mãos, o instrumento revela seu timbre aveludado, rica paleta sonora e ampla faixa dinâmica.
Nascida em Minsk, Bielorrússia, Dárya Filippenko frequentou o Conservatório Estatal de Moscou sob a orientação da Professora Galina Odinets. Mais tarde, ela fez pós-graduação na mesma instituição, orientada por Alexander Bonduryansky. Atualmente residindo na Itália, Dárya refina diligentemente o seu talento artístico sob a tutela especializada de Antonello Farulli em Imola, ao mesmo tempo em que se aprofunda nos meandros da viola barroca com a estimada orientação de Enrico Gatti em Bolonha. Este duplo compromisso com as tradições clássica e barroca contribui para o refinamento de suas capacidades artísticas, ao fomentar um amplo espectro de suas habilidades interpretativas.
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